Friday, October 5, 2012

Paper for Artepolis 4



NETWORK MECHANISM IN TRADITIONAL HUMAN SETTLEMENT IN ASIA (Cases: Nagari in Minangkabau, Indonesia and Tara in Malabar, Kerala, India)
2012: Paper presented for Arte-Polis4 on Bandung, 5-7 July 2012 held by ITB,,Bandung, Indonesia

Abstract
This paper tried to elaborate the concept of network and connectivity of two settlement concepts of matrilineal society: Nagari in Minangkabau, Indonesia and Tara in Malabar in Kerala, South India. In this concept of settlement network and connectivity are central mechanism and process that build the unity of habitation referred to integrative notion of maternal ancestress, regardless the  spread spatial distribution of the settlement components. Adding to it, the economic expansion also attach on this concept, proved by situations that both ethnic of Minangkabau and Kerala are known as entrepreneuring ethnic.
This topic is brought as a critical review on architectural discourse about traditional settlements, which often describe it as static, obsolete and therefore irrelevant topic to contemporary situation, This architectural description often contradicts the ethnographic descriptions where the pre-Colonial and traditional settlement of Asia had been also described as dynamic and enterprising, comparable to modern situations in manner of network and connectivity.
Realizing the difficulty to elaborate the dynamic situations concepts of the traditional settlement this paper would use the term coined by Egenter (1997) - settlement-architecture. Settlement-architecture defines habitation not as a static unity configured by settlement component. It is a controlled territory composed by elements of a horizontal network of landscape which maintained network equilibrium with other habitation units in an indefinite extent. In this framework kinship, maternal ancestor would be exposed to explain the development of network and connectivity that build up a habitation with which the economic flows manifest though its spatial interconnections.

Saturday, April 7, 2012

Guest Lecture



Saturday, March 31, 2012

Phenomenon of District Art in Kala Godha Festival, Mumbai


This paper is a descriptive discourse that try to uphold the globally growing discourse of creative society in urban area where urban space, is functionally discussed more than engineered physical object. Street, district,
landmark contain more than cognitive and artistic value as conventionally understood. It molds multi-facet social relations between space and people as stake holders and participants, simultaneously or specifically for artistic,
social, religious and cultural motive. The events of Kala Godha festival is a case where urban space articulate participative and holistic designed object and in return contribute to the shaping of identity, place-making as well as awareness for environmental preservation.